It's unfortunate that this type of pirating goes on, but of course it seems to be sewn into the fabric of human nature, and history will support this.
I'd be a liar if I didn't enjoy particularly the fact, of the many bootleg/pirate LP's/videos(mostly of Led Zep) I've purchased since high school, at a premium I might add, and if it was CD's at the time, I might have easily burned some copies for friends, but it was mainly for my own enjoyment since much of this material wasn't readily available then.
In this case, right up front, you have someone playing upon the "unobtainium" factor(Honey Bees no longer in production), really blatant forced misinformation(read weakness and sub-intelligence) as any search will quickly disprove this.
Child-like behavior at best, and then you have BJ's wonderfully healthy attitude and focus on this matter, and many others regarding sound/circuits, and the pursuit of tonal happiness...much more of a qualified parental attitude, in light of these forgeries, whereby information is shared and enjoyed by those who truly appreciate where it's coming from, and with the example of the Folk projects and others, innovated upon.
In the end, as BJ stated, it stains the name, the reputation(though I feel with all the BJF convert/addicts out there now and numbers growing heavily counter such small-minded activity), and that is the point--if your going to make a mess, do it under your own name.
There is also the emotional attachment we place on the value of things, and in this case complaints of the BJF line being too expensive(and many of us know understandably the reasons behind this), and the classic case of people being driven to make an attempt at a cheaper alternative.
On the flip-side, if you make something that may be great, but even with a reasonable profit margin, price it too low, then many times it is perceived as cheap, and the potential snob factor kicks in.
I for one can say, I have paid a lot, and have paid a little for great tone(and have paid a lot and a little for sh*%#y tone).
I remember when the first Baby Blue OD's surfaced, and it was at a time when I was still focused on much of my vintage gear(pedal-wise), and though it peaked my interest I was happy with what I had at the time.
Fast forward this past spring and gathering information and feedback from people I respect, and reading up on this forum before I joined(first forum BTW, as I eschewed them in the past), only to shortly later, luck-out courtesy of Harri at Custom Sounds, with the purchase of my first BJF pedal, the Deluxe Honey Bee...going on faith for dropping some reasonable coin, sound unheard...well it has been game over ever since.
Many pedals later(CAF, Model H, AWF, SBEQ, SYOD, EGDM, SHOD) I understand and hear the passion of sound that is put into these boxes, and if BJ call these his little spies, I call them my little friends... and they tell me more and more every time I plug in, how he is hearing these sounds in his head, relative to overall tone, feel, vibe, and particularly EQ voicing for any of them.
These cloners are just shoe gazing and high-fiving themselves over the recent turd they laid, with nothing behind it but stink.
I don't think you have anything to worry about, just keep making this great stuff that inspires me to play and write, and realize a level of true tonal satisfaction after 30 years on the instrument... and promised demos, videos forthcoming!