Ok...so it landed yesterday, and was able to get a quick
1/2hr spin on it.
Thanks Don for the quick shipping
As per the cosmetics, it just such a simple and lovely
shade of gray green that pops with a great hammerite/hammertone
finish you often see on vintage and re-issue MK II Tone Benders
and other vintage fuzzes....very cool.
Anyway...quick impressions....it's quite the little monster! From low gain to high
the sonic imprint is full and large sounding because of the way the bottom end is
tuned throughout the gain range, and it's presence no matter where the treble
and mids are set.
It's got a great feel, different to the other drives, and sounds both raw and refined
at the same time which is just great.
The T and M controls are voiced really well with a lot of settings that are favorable.
Also, the balance between the available Treble and mids is balanced quite well between
each other, meaning, if the mids are at either extreme of the dial, it sounds equally good
because again, the overall EQ of the circuit is quite full sounding.
Then, within that range, there's a nice area for the Treble to offer many different shades of grind.
Lastly, I'm hearing as the mids increase, they get fuller, but also tighter and more focused, plus there seems to be a bit more gain at the more fully CW setting. It's great because since the mids get focused, the circuit never sounds boomy or too bottom heavy anywhere...it just sounds
big, fat, and rocking
Oh, and of course the dynamics are great, even at full drive, which I wouldn't expect anything else coming from Bjorn, because after everything else he implements, it's the dynamics,that enhance the feel and responsiveness which puts everything else over the top.
I'll try to pop off a demo later this week to more sonically elucidate on the aforementioned.
Thanks Bjorn!
Another winner!!