Hi,
Some perhaps fun notes
Baby Blue OD was primarily designed with a matching coloured strat with a Seymour Duncan QP in bridge.
DRD and CAF were primarily designed with light humbucker and P-90's.
PPF,LGE were primarily designed with a strat with a Seymour Duncan QP in bridge.
Honey Bee and Folk Fuzz, EGD,LRT were designed with a Flying V with light humbuckers ( about the same level as P-90's), while I'd preferably demo HB with a Les Paul...to show the dynamic range.
LGW was designed with a Les Paul and then to match with PGC with a strat
Model R, Model H, Snow White/Arctic Fuzz were designed with a Les Paul.
MP SBOD was designed with altering a Les Paul and a strat and a tele
MP MRD was designed primarily with a strat but also tested with a Les Paul, I'd prefer to demo MRD with a tele or strat.....
Cliffhanger was designed with a Les Paul Special (P-90's)
BJF VCF/MP SWAW was designed with a strat- also why volumecontrol movement was calculated on
That's just off the top of my head and for all models I'd try them with heavy humbuckers, light humbuckers, P-90's and standard single coils, while I'd prefer certain models with certain guitars, but then like with Honey Bee I also like to run that with a strat having RRB boosting into Honey Bee.....
Perhaps my favourite pick up is the P-90 and I find that using that as design center usually makes a response that travels between the other guitars, while there are peculiarities that make certain things work better with a strat or humbuckers.......
I find also different guitars invite to different playingstyle, while once I used a strat for all kinds of sounds and also then had a distortion box that sounded the same regardless of guitar used, but hey that was in the 80's
...... I just drifted towards heavier pick ups and a Les Paul as it fitted better for the heavier musicstyle I got into and it made it easier to play on controlled feedback......and then dynamics became a lot more important..........
these are things I use. Ahum and I also like treble, while I'll work on getting that balanced with my test setup-things I know travels from lowpower playing, like when practicing to high powered playing as in stage use and what shows up when recording and after the tenth listening- I'd like a circuit to work in all these applications and I use what I have learnt in those applications.
Through the last 9 years I have learnt that there are so many amps with their own signature and certain things would fit better with certain setups and so for instance MP MRD through a Fender Super Reverb.....woohoo!
while not the same at all through a VOX AC-30 and that's just one story in a sea of stories and my pedals are therefore my spies that gather information about setups that I may never hear in real life, and so I read and learn.
Gentlemen thank you for all your words
Have great fun
BJ