by rockeroo » Tue Jun 26, 2012 11:03 pm
VERY interesting pedals...
I get the impression that these two ODs can cover A LOT of ground in one's dirt chain.
For my first go with the SYOD (fraternal) twins, I chose to use a stock AC30 and my strat. The strat has Van Zandt vintage pups inside. I'll start my explanation with V1.
V1 instantly made me think of my Model G when I plugged it in, not because they are identical, but because they have a similar character on low-medium gain settings. The overdrive is very rich and can shift from thin and sparkly to round and warm (and everywhere in between). While the SYOD is not as rich in the mid-range as the Model G, the drive is quite transparent, full-bodied and pleasing. I could see myself sidelining my Model G for the V1 if the need arose. One interesting aspect of V1 is that the gain range has a very high ceiling. It goes well past my Model G in terms of maximum distortion levels -- this side of the pedal shifted my thoughts toward a very tight and focused Honey Beest.
Moving on to V2.
V2 is much more versatile than V1, in that it covers so much. Can anyone guess which two gain boxes I was hearing when playing through the SYOD V2??
...
First, I heard BBOD all the way. I have never played through either BJFE SYOD before, but I imagine the mid-knob really opens up the V2 to cover a massive sonic territory. With the mids pushed to 2:00 and beyond, the V2 certainly hints and (and when maxed out) exclaims fuzz. This REALLY surprised me. The last 10% of the M knob has a similar sweep to it as the drive knob on the DRHD -- it really peaks. I must say, the BBOD is my most treasured BJFE pedal, and I would willingly move it from my board to my studio in a heartbeat if I could replace it with the SYOD V2. The OD/fuzz combination is a very satisfying rock tone, and would be a perfect reason to buy the pedal if you had to be convinced. However, I will give you another reason ... If you swing the M knob all the way counter-clockwise and crank the gain, you will feel as if you are CLIFFHANGing. I was totally WOWED by this. The distortion, when maxed out, gets completely raw and open with the M knob at its lowest level. This pedal is SO versatile. Here's a third reason: BOOST, anyone? With the gain off on the V2, you can really boost your mids and shape your overall tone. The clean/tone-shaping boost offers a variety of options, and to my ears, was very clean.
SO... Having both a V1 and V2 can take you from Model G territory to BBOD-land and also to the edge of a CLIFF. They stack wonderfully because of the expanse EQ sections, and individually, they can cover a lot of ground. I certainly see myself using these two pedals as primary gain pedals on my pedalboard. The low-gain of V1 with the balls of V2 will allow me to get almost anywhere I need to go. I did not run them with my PGC, SBEQ or any other pedal, but I imagine those would only add to the goodness.
I look forward to plugging these into my Deluxe with a telecaster and a SG, but for now, I will be enjoying them through my AC30. They match that amp quite well to do everything I need.
If anyone has specific curiosities, please ask. I hope to post some sort of video/audio track if I can find the time.
Cheers.
keeping life interesting ...