mikepick wrote:Every review I have read about this amp praises it to no end. I guess you won't be needing any of the cool dirt pedals any more
Ha
..yeah, I'll just toss those things out
Hey, thanks guys for all the congrats...yeah, it started back in late spring where after getting all these great peds, and hearing then about the amps, and as soon as I started reading the threads here and on TGP, and listening to all the youtube demos(which don't fully do the amp justice at all IMO), and going back and forth, the GAS started heating up.
The main thing that got my was aside from the tons of praise from many, was Bjorn's ideology
about the layout, functions, and interaction, AND designing it from full power as a starting point.
See here:
http://www.youtube.com/watch?v=pSZ15s2F ... 1&index=19Of course, the bottom line was to be able to try it out...well, after going back and forth on turning the idea into a reality, I went to the MP site, and saw that a vintage shop Lark Street Music was a dealer...this place is 10 MINUTES away...I got there in 5, when I unbelievably saw this listed on their site on consignment...and I hadn't been in there in over 4 years!
Well, and no offense to Strat players, but that was the first guitar I grabbed in there( a'63 slab board), figuring, OK, if this amp can make a Strat sound good...playing through a Bogner 4x12, it grabbed me immediately...just on the clean channel...everything I wanted to hear in a Strat tone I could dial in(and everything I didn't I could dial out)...stunningly lush, natural but pumped and full sounding warm crystal bliss in all 5 positions.
Then the real test...how's it going to dirty this Strat up?? In the most killing ways!
Funny, as I was telling Bjorn about it(he refers to it as "The Golden One"), that just a few days BEFORE I tried the amp out(or even "discovered" it at the shop) I hadn't heard Billy Squier's "Don't Say No" record in a long while, so perused the youtube vids to find out how well all those tones hold up, and the KILLER Tele lead tones he got on that album...gainy and gutsy, but still sounds like a Tele...fast forward, I was getting those tones WITH EASE!!
Just didn't want to stop playing...didn't even have to plug a LP in, but I did...
I had "heard" the light...put down a deposit, and had NO problem offing my Orange and Marshall heads, plus a few choice uber rare fuzz pedals to grab this block 'o gold...
First off, some may take the approach maybe expecting that this amp can do everything under the sun...that's just unrealistic...2nd, as what you can do with it, like the Tweed tones, then you are talking specific cabs...like more than HALF the tweed tone is in the pine cab open back with a single or pair of Alnico Jensens...I had a '56 Tweed twin, I should know.
Having said that, there are RADICAL tone shaping abilities as many members here(Horsehead75 for one)can attest...the interactiveness between the controls is awesome and daunting at times as it challenges what your hearing and how your hearing it and at what levels.
I love it for the clean tones alone...the overdrive and distortion textures are many, varied and super dynamic(big surprise)...there is a TON of gain available, and with 'buckers, metal tones are easily had if desired.
I got it for both recording and live, and I already ordered a custom 4x12 matching cab, and asked Harri about using some tasteful(not gaudy) grill-cloth that had woven strands of gold in it...funny thing again, when I heard back from him, he said he had some extra grill cloth leftover from a custom project that would just fit the bill...just too much in alignment for this NOT to happen, so I feel VERY lucky indeed.
I will eventually get some clips together and post...suffice it to say it's like an all tube, point to point, "modeling" amp, but aside from, and in addition to being able to cop sounds of many classic amps, it helps to model the sounds you're hearing in your head, and be able to do it on the fly.
More to come....