I'd be curious with the comparison of the AD-900 and the Strymon Donnel.
I LOVE my AD-900 and this thread proposes it as the KLON of analog delay pedals:
http://www.thegearpage.net/board/showth ... LON+delaysThere's interesting reading here from guys who tried the Strymon Brigadier and kept the AD-900/ 999:
http://www.thegearpage.net/board/showth ... ight=delay "If ever there was a pedal that did analog & digital well, with modulation, and tap tempo, and is super-easy to tweak, the Brigadier is IT. Even tho I didn't keep it (only because I have my analog needs covered with the AD999, so I wanted TAPE & digital, not analog & digital), it's the closest I've ever seen to the perfect delay.""I have settled on the Maxon AD900 with 3005 chips and a Red Echodrive. I think I tend to like the Echodrive a tad better in terms of where it sits in the mix but the AD900 has a special warmth that makes it a great addition." No doubt Strymon is flavour of the month.
I have GAS big time for an El Capistan,
but I also did for the Damage Control Timeline, VMSD, and the Skreddy Echo-
The recent fall on re-sale prices on the Skreddy Echo probably reflect the Strymon excitement.
Tweaking delay is fine when you want to noodle- but
for me the acid test is live.
Time. Repeats. Level. simple and quick.
There isn't the luxury of time to tweak and listen in between songs in a loud crowded bar.
I can't imagine anyone in the band or bar thinking it's worth the wait,
or saying:
"I prefer the bucket knob below noon,
he needs to roll that back a little for my liking."At home or as a studio tool, different story.
I'll be curious to hear how they compare for you.
Cheers Donnel and Bill.