melodichaotic wrote:Nice...the Ibanez Standard fuzz has subtle octave? I've had three of those, and still have one--anything but subtle octave--that pedal is very under-rated and KILLS an Octavia and Super Fuzz IMO--easily on par with the Foxx Tone Machine Octave-wise, but I like the fuzz feel a bit better.
If you have the fuzz maxed you should have Octave 'o plenty(or maybe spray out the slider pots
ptbarnum wrote:melodichaotic wrote:Nice...the Ibanez Standard fuzz has subtle octave? I've had three of those, and still have one--anything but subtle octave--that pedal is very under-rated and KILLS an Octavia and Super Fuzz IMO--easily on par with the Foxx Tone Machine Octave-wise, but I like the fuzz feel a bit better.
If you have the fuzz maxed you should have Octave 'o plenty(or maybe spray out the slider pots
There's a lot of tones in the ibanez for sure...definitely can get to full ring mod octave territory. I like it best when the octave is at a subtler setting ..
And, yes, I think it's very underrated..been looking for one for a while.
ptbarnum wrote:Thanks Don,
they're not really similar at all (except, I think,they're both from '68).
The Marshall is very much like some tone benders and variants I've heard, maybe a bit rounder and more raw sounding..
The Ibanez has two wild and crazy fuzz tones..one that has lots of mids, and one that's super scooped and buzzy. Both have a present octave up, but the scooped side's is less pronounced..one thing I'm noticing about the standard, is that it's a great fuzz for layering parts when recording.
Edit: the more I play with the ibanez, the more weirdness I find, there are sweet spots all over the neck that yield different overtones etc..standard fuzz is a very inaccurate name
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