Wow, I don't think I can hear out of my left ear any more (90 minutes after playing, ear still hurts, hopefully will be better by tomorrow). 9 o'clock Cliff Hanger volume is pretty much 12 o'clock volume on my DRD. I tested this pedal out with that nervous feeling the whole time that the cops were going to show up again and give me the usual..........Are you Mr Guitar Guy?...Yes sir I am......Your neighbors called and said there was some really loud music playing.......Sorry sir, I won't do it again (then under my breath, until I have another pedal to test out).......What was that you said?.......It's a really beautiful day out today, good day to be protecting the neighborhood .......It sure is, try and keep that music down ok.......Will do, thank you have a good one.
Yes the conversation really has taken place multiple times at my house per loud amps and BJF pedals, luckily no tickets yet. Last one of those was in college for a noise violation, but that was for 100 loud drunk people, not 1 screaming guitar (which could probably rival the volume of 100's of drunk people )
Ok, back on track. This finish on the cliff hanger box is awesome, it is literally like someone carved it out of the wall of rock that it is, this pedal is rough and bad ass straight out of the box.
First gear that I tested it through was '60 Fender Vibrolux tweed amp recently serviced to sound extra nice This is a bright amp, not quite blackface bright, but almost. I gave the pedal the longest workout through this amp. Kept CH volume around 9 o'clock. 1st up strat with Kinman Woodstock plus (bright pups). As the distortion goes up on the Cliff Hanger, the treble goes up as well and with a bright amp I wouldn't really go past 12 o'clock on the distortion with any guitar that I tried it with (note: just with a bright amp, darker amp details coming up).
2nd up was G&L ASAT Classic (single coil bridge, neck humbucker). With the single coil bridge pup, didn't like to take it much past 10 o'clock on distortion. Neck pup, liked the distortion up until 11 o'clock.
3rd and 4th guitars were 90's Gibson ES-137 and mid 70's ES-335, stock pups on both. Pretty much same deal as the ASAT in terms of the settings, I liked bridge pup with distortion up to about 10 o'clock and neck pup with distortion up to about 11 o'clock.
Now here's where it gets freakin' awesome........it was time to give the custom made 5e3 a spin (Tweed Fender Deluxe Clone). This is a darker amp that breaks up early and sweetly and my oh my does it love the Cliff Hanger. I started with the strat and didn't even make it to the other guitars. I found the whole range of distortion usable from nothing to maxed out, it all sounded great. I pretty much knew this pedal was going to get used strat > CH > 5e3 from here on out, maybe the Tweed Bassman too, but that combo will surely initiate a call to the po po, so haven't tried it yet.
Haven't had a chance to try many stacks with it yet. Tried PGC > CH and that sounded great. Also with the Vibrolux, I went CH > HB (HB: V 9, N 7, D 4 and CH: V 9, D 10) and that gave a great crunchy distorted rock tone.
Improvement suggestions: I would say really the only improvement that I can think of would be a treble dial that would give me more usable range with a bright setup. At some point I'll give it a go with my SBEQ and maybe the CH > SBEQ with the SBEQ treble cut some will give me a wider range of usage. With a darker amp, no improvement needed, killer sound!!!!
Overall great pedal, tons of volume in that pedal, enough to feel it in the ears (2 hours now and still feeling it), usable distortion through any setup up to about 11 or 12 o'clock and through a darker amp there are no limits. Most likely I'll keep the CH set at V 9 D 10 for a solid classic rock distortion tone. When I want to dabble with a LOUD and heavy distortion sound, it's going to be dark amp and CH V 12 D 4.......watch out neighbors
Thanks for making another kick ass pedal!!!!!!!!