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Donner wrote:hmmmm - not sure about the sheen ... what impressed me is the way the mids worked on Fender, Marshall AND Vox type amps, should work with any amp, even the hard to drive ones..
(and for those waiting keep in mind Monday is a mail holiday)
DocRock wrote:Hi Sean,
I don't know very much about compressors or what they would do.
But I hear what you mean about the sweetness and presence, like "Ticket to Ride" sans 12-string.
Yes, I think that the SYOD could be dialed in for something like that rather easily if you keep the drive setting rather low.
Have fun
Doc
Donner wrote:Ah ok yes I think your talking about compression - and many compressors also drop a little bass which gives you clearer treble plus the comp/sustain ...... yes I think you want to be in the PGC line.....
PArt of the SYODs goal is to work as a second channel/predrive for the DRD or a Marsahall - so it adds a specific EQ push with a particular kind of distortion which makes the 'host' creat more of its own compression BUT it doesnt add it to its own signal --- so dynamics are maintained while the overall signal gets the compression percentage it needs to sing.....
I am Incinerator wrote:Donner wrote:Ah ok yes I think your talking about compression - and many compressors also drop a little bass which gives you clearer treble plus the comp/sustain ...... yes I think you want to be in the PGC line.....
PArt of the SYODs goal is to work as a second channel/predrive for the DRD or a Marsahall - so it adds a specific EQ push with a particular kind of distortion which makes the 'host' creat more of its own compression BUT it doesnt add it to its own signal --- so dynamics are maintained while the overall signal gets the compression percentage it needs to sing.....
Awesome, thanks Donner!
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