BEEST mode
Posted: Tue Sep 06, 2011 9:44 pm
Just plugged in the Bearfoot FX Honey Beest and found it to be quite interesting (and AWESOME) in comparison with the BJFE Honey Bee.
I am sure most of you can hear in your mind the sound of the BJFE Honey Bee into your favorite amp -- nice amounts of warmth and drive on tap, very dynamic and transparent, cleans up great, etc.
I went into the Beest expecting something similar, yet gainier, but I was quite wrong. Thus far I have played my MIM Strat (van zandt vintage plus pups) into my AC30 on the top boost channel. This yielded a bright, sparkly result that went from a nice, clean treble boost to what I envision the SYOD sounding like. Engaging the pedal made my rig much brighter than when bypassed. I found the "third knob" to serve as a bias, compression shifter and tone emphasizer. Turning the knob to 9:00 yielded an open, high headroom sound that could be cranked with the drive. Turning the knob to 3:00 yielded a more sparkly sound with a little compression. This sound felt more raw to my ears.
Overall, the beest has an extra level of gain on tap -- almost into distortion territory. It felt less dynamic and transparent than my BJFE HBOD, but the beest maintained those characteristics to a different degree. I have never played a HBOD Deluxe, so I cannot compare to that. I am surprised how bright the beest is, and I really enjoy how it took my dark AC30 and turned into a more spanky, sparkly version of itself. The sound was still AC30 but with a more pronounced brightness.
I hope to stack the beest with the Model H and EGDM soon. It is getting a little late.
If there are any questions or suggestions, I would love to give them a shot.
Love the BEEST, Donner.
Cheers.
I am sure most of you can hear in your mind the sound of the BJFE Honey Bee into your favorite amp -- nice amounts of warmth and drive on tap, very dynamic and transparent, cleans up great, etc.
I went into the Beest expecting something similar, yet gainier, but I was quite wrong. Thus far I have played my MIM Strat (van zandt vintage plus pups) into my AC30 on the top boost channel. This yielded a bright, sparkly result that went from a nice, clean treble boost to what I envision the SYOD sounding like. Engaging the pedal made my rig much brighter than when bypassed. I found the "third knob" to serve as a bias, compression shifter and tone emphasizer. Turning the knob to 9:00 yielded an open, high headroom sound that could be cranked with the drive. Turning the knob to 3:00 yielded a more sparkly sound with a little compression. This sound felt more raw to my ears.
Overall, the beest has an extra level of gain on tap -- almost into distortion territory. It felt less dynamic and transparent than my BJFE HBOD, but the beest maintained those characteristics to a different degree. I have never played a HBOD Deluxe, so I cannot compare to that. I am surprised how bright the beest is, and I really enjoy how it took my dark AC30 and turned into a more spanky, sparkly version of itself. The sound was still AC30 but with a more pronounced brightness.
I hope to stack the beest with the Model H and EGDM soon. It is getting a little late.
If there are any questions or suggestions, I would love to give them a shot.
Love the BEEST, Donner.
Cheers.