My Snow White Fuzz wanted to meet Jimi's guitar, so I arranged them to have a moment together

mmmmmm....snow white fuzz and alpine white SG custom. now, if i could only plug it in....

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Strat-o-lux wrote:Mr. Henderson,
Lucky you to have had access to those historical artifacts that we view with something akin to reverence. It sucks if they're not being properly cared for. The issue of whether instruments like this should be played, or just stored for visitors to gawk at is another one that gets inadequate consideration.
Sounds as though these Hendrix guitars have not been stored in a proper climate controlled environment. "Dried" fingerboards are not a result of insufficient oiling. Ask any museum furniture conservator if unfinished wood should have oil applied to it to keep it from "drying out" and they'll likely tell you that's a terrible idea. I know, this practice is widely promoted by guitar techs. I maintain that it actually damages the fingerboard over time and if done zealously also loosens the frets in their slots. I'd love to see this misguided practice discouraged.
Those who do not like the feel of a "dry" fingerboard should try an inert wax. Violin makers use food-grade paraffin. "Butcher block" paste wax, although it contains solvents, would be an easier to use alternative.
J.
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